Figure Drawing In Charcoal |
Thought Processes and Techniques for Rendering Mass - By Eric K. Wallis
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Table of Contents |
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| How mass drawings differ from line drawings and the thinking behind the techniques. Exploration of some differences between working from photos and working from life. | |||||||||||||
| 1. Standing Front View | |||||||||||||
| 2. Standing Back View | Concentration on light and shadow shapes to create muscle masses and structures of the back. How to use a plumb line. | ||||||||||||
| 3. Standing Outdoors | Acetone and powdered charcoal make an abstract background seem like a dense forest. | ||||||||||||
| 4. Seated Front View | Water and powdered charcoal on a gesso'd panel for a soft, abstract tone. How to measure the reference with a pencil and apply the measurements to the drawing. | ||||||||||||
| 5. Forshortened Figure | Some keys for successful foreshortening. Using plumb and level lines to align shapes. And an explanation of overlapping arches, forms that create a receding illusion. | ||||||||||||
| 6. Seated Back View | Using head measurements. Contrasting curves of the figure with geometric background shapes. Keeping a drawing loose. | ||||||||||||
| 7. Reclined and Foreshortened | Drawing from the hip: Using a reference point at the plevis to align the torso, head and legs. Low key drawing and the indroduction of white charcoal highlights. | ||||||||||||
| Gallery of Drawings | |||||||||||||
| Appendices
1. Creating An Even Tone 2. Notes on Hair |
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